Timescale Plan

Timescale:

 

Mondays 13th October – Contacting client and discussing the use of their material in our 3rd year project.

 

Monday 20th October – Secure deadline with the client as to when we will receive the picture-lock. Create a plan about who would take on what roles, what software DAW we will use.

 

Monday 27th October – Gather a small sound FX library suitable for the show, and discuss and plan the use of Foley in the text.

 

Monday 3rd November –  Compose musical demos for the bed.

 

Monday 10th November – Organise and execute a meeting with the external client and discuss artistic and diegetic direction. Allow the client a week to process our current work and give us a critical analysis.

 

Monday 17th November – Receive feedback from client and further develop the work we have done so far. Then send them an updated copy of the music and a sample of the FX we will be using online in mp3 format.

 

Monday 24th November – Create and prepare project and software files for post production. Make use of templates and/or previous projects where appropriate.

 

Monday 1st December – We will now have the picture-lock copy. Using time coding from the on-set recording we will find the correct sound files to use in relevance to the version of the pilot we have been sent. We will look at synchronising the dialogue and given sound effects with the visuals. We will then begin to produce high quality production material working towards the final project.

 

Monday 8th December – This is where the majority of the post-production will take place, including the creation of Foley and the editing of sound material.

 

Monday 15th December – We will be finalising our project and then send a sample to the client, leaving us a few days to take on board criticism and feedback to make final changes for the hand-in on the 18thDecember.

 

Thursday 18th December (D-DAY) – Hand in final version in both stereo and mono WAV format as well as an mp4 version of the episode using our WAV, before 4pm.

 

 Roles –

Jack – Postproduction, on set recording.

Josh – Music production, postproduction.

 

Leave a Reply

Your email address will not be published. Required fields are marked *